Reel Time

In this authoritative work, Seiler and Seiler argues that the establishment and development of moviegoing and movie exhibition in Prairie Canada is best understood in the context of changing late-nineteenth-century and early-twentieth-century social, economic, and technological developments. From the first entrepreneurs who attempted to lure customers in to movie exhibition halls, to the digital revolution and its impact on moviegoing, Reel Time highlights the pivotal role of amusement venues in shaping the leisure activities of working- and middle-class people across North America.
As marketing efforts, the lavish interiors of the movie palace and the romantic view of the local movie theatre concealed a competitive environment in which producers, exhibitors, and distributors tried to monopolize the industry and drive their rivals out of business. The pitched battles and power struggles between national movie theatre chains took place at the same time that movie exhibitors launched campaigns to reassure moviegoers that theatres were no longer the “unclean and immoral places of amusement” of yesteryear. Under the leadership of impresarios, the movie theatre rose up from these attacks to become an important social and cultural centre – one deemed “suitable for women and children.”
An innovative examination of moviegoing as a social practice and movie exhibition as a commercial enterprise, Reel Time depicts how the industry shaped the development of the Canadian Prairie West and propelled the region into the modern era.

Table of Contents

Table of Contents
Cover 1
Contents 8
List of Illustrations 10
Acknowledgements 14
Introduction 20
1 Pioneers 34
2 Introducing Cinema to Prairie Canada: Movie Exhibition, 1896 to 1904 60
3 Movie Exhibition During the Nickelodeon Era, 1905 to 1913 90
4 Reforms and Regulations: Movie Censorship in the Prairie West 132
5 Grand Entertainment: Movie Exhibition During the Picture Palace Era, 1914 to 1932 164
6 Famous Players Canadian Corporation Limited 194
7 The Struggle for Control: Odeon Theatres (Canada) Limited 232
8 Consolidation 264
Conclusion: From Peephole Parlour to Multiplex and Beyond 280
Notes 320
A 376
Index 376
B 378
C 379
D 381
E 382
F 383
G 384
H 384
J 385
I 385
K 386
L 386
M 387
N 389
P 390
O 390
Q 392
R 392
S 393
T 394
U 396
V 396
W 397
Y 398
Z 398