The Documentary Art of Filmmaker Michael Rubbo

The Documentary Art of Filmmaker Michael Rubbo

Michael Rubbo’s groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo’s filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo’s post-NFB venture into feature film directing, followed by Rubbo’s return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube.

Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo’s wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo’s films, but also the depth of their influence on filmmaking itself.

Table of Contents

Table of Contents
Full cover 1
Half title page 2
Series page 3
Full title page 4
Copyright page 5
Contents 6
Illustrations 8
Acknowledgments 14
Introduction 16
1: Learning the Craft 22
2: Making It Personal 36
3: Nudging Things Along 52
4: Filmmaker Front and Center 62
5: Family Matters 70
6: How It Works 80
7: Where the Action Isn’t 100
8: Something’s Happening 114
9: Facial Expressions 142
10: Long Shots 158
11: A Break from “Reality” 168
12: New Tools of the Trade 184
13: Plein Air Documentary 206
Conclusion 220
Michael Rubbo Filmography 238
Michael Rubbo YouTube Films (Selected) 244
Notes 246
Works Cited 252
Index 256
Untitled 264